", the woman does air handshake, the mirror and the handheld monitor
during the fotoshooting, two times closing the squeegy door after kissing,
'plenty and penalty', 'we see, lets see', the blindfold bird and the photos of a pigeon, the two mini shirts, even multiple Amstel
beer cans, two two two, pair up and beyond, it starts to feel like there is a split millisecond of chance is being given. Then the microphone dropped in the water.
Information - CV
Like clock, 2021, 4K video, 19', stereo sound & synchronised HD projection
David Dale Gallery, Glasgow International 2021
(Produced with generous support of Mondriaan Fonds, Amsterdam Fonds voor de Kunst,
the Embassy of the Kingdom of the Netherlands, Creative Scotland, photographs by Max Slaven)
True place, 2019, CCA Prague, curated by Edith Jerábková
(Photographs by Filip Beránek)
Bridge with sound, 2018, Museum of Fine Arts, Rennes
À cris ouverts, 6th Rennes Biennale, curated by Céline Kopp and Étienne Bernard
(Produced with generous support of Mondriaan Fonds and Fluxus Art Projects, photographs by Aurélien Mole)
2015, 2016, 2x 4K videos, 3'31" & 3'50", no sound, ceiling-suspended flatscreen monitors
Inflected Objects #2: Circulation - Mise en Séance, Frans Hals Museum - Hal, Haarlem, curated by Melanie Bühler
Winds, 2015, Cell Project Space, London
(Produced with generous support of Mondriaan Fonds, photographs by Mariell Amélie)
Cess, jel ever terrass? 2014, HD video, continuous loop, stereo sound
Galerie Fons Welters - front space, Amsterdam
(Produced with generous support of Mondriaan Fonds, Amsterdam Fonds voor de Kunst)